Farewell, Year of the Serpent

IMG_5589What can I say? Apparently the Year of the Serpent is meant to be an auspicious year for Oxen folk like me. It is known as a year of rebirth and transformation in all areas of life. I themed it ‘the year of consolidation’ as I set out to strengthen and solidify my writing life, setting aside business to allow me to do this. It was intended as a year of bringing all my skills together, all the experiences, lessons and connections and making them work for me.

What was the reality of it all?

A tangle. An implosion. A life that resembled the Poseidon Adventure, just with a better soundtrack.

A Dramatic Run Down, Sans Bad Acting  [*Cue Appropriate Music*]

The year began in the aftermath of ex-tropical cyclone Oswald and three days without power. Then there was the return of the school shit bearing down on us as Mr D’s anxiety and school refusal peaked in aggressive and violent behaviour. We ended up with five broken weeks of attendance in first term and our household became a tempest of broken promises and expectations, a sense of drowning, hollow hopes and minor wins and more set backs than any human in their right mind can remain stoic in the face of.

Woven through this was the successful submission and sale of my novella Elyora (River of Bones) to Endeavour Press in early March, followed several days later by its inclusion on the Aurealias short list. It was like riding a rollercoaster that never ended.

By the end of April River of Bones had been released, Adam and I had completed the final season of Post Marked: Piper’s Reach, I’d enjoyed (as best I could with the family issues and the first horrendous head cold in more than a year) NatCon and Mr D had been withdrawn from mainstream school and enrolled in Distance Education. Whatever hopes I had left of a year of writing went out the window.

My brain barely functioned creatively as I worked to wrap my head around Maths and English and Science plus weathering the full force of Mr D’s anger and apathy as I worked to have him re-engage with the learning process again, while he emotionally detoxed from mainstream schooling. And dealing with my own version of cabin fever through it all. Working to maintain my own mental health.

IMG_4677In July we got out of Brisbane and spent two weeks in Longreach and the surrounds. It was the reset we needed as a family. I spent the first few days in bed with a fever and then the second week bunking off in the morning to mark up the completed Piper’s Reach manuscript. I returned with the manuscript completed, an idea for a rural romance and the resolve to complete the steam punk romance story I’d penned the opening sections of in Brisbane airport in April waiting to fly out to Sydney. It sucks though how the verve that accompanies you into the first week of ‘real life’ rarely stays put for more than that first week.

Through July and early into August I was a diligent Distance Ed tutor. I did what I was told, I was upbeat and positive with Mr D. We made all our deadlines with work and in some respects, were ahead. I worked hard on the weekends at my steam punk romance, forced myself into the headspace and kept at it even though it kept beating me at every turn. And we became parents again… to a spoodle named Duke.IMG_5375

Mid-August I got glandular fever as my body’s last hurrah to being young, or perhaps my body giving in to eight months of emotional turmoil and the physical exhaustion that comes with. I spent three weeks bed ridden. I had to ask for help. I was so sick it didn’t bother me to ask for help. It was the lowest point in a year of low points, but also the point where I decided enough was enough. In the midst of all the sickness I managed to finally find a pendant for the year, and once I had it, it felt as though the year turned for me as I hung the silver and red coral serpent around my neck. As I crawled my way back to health, I let go of the need to abide by Distance Education’s stupidity. I found a way into my steampunk romance and wrote like a demon. In the end I submitted ahead of the due date but with the fear a rejection of the story would crush me.

October I railed hard against Distance Education, with the repetition and the lack of creativity. I became ‘one of those parents’, even though I knew I was angry with all the wrong people. I despised the way English was conceptualised and taught. I found myself in a pitched battle I was never going to win. I hated what it took from me. I hated how it bored Dylan and how I was responsible for making it engaging and interactive when it was none of that. I was on the verge of the next big decision.

IMG_4910And throughout this, Adam and I chipped away at the edits of Post Marked Piper’s Reach. I got up early each morning and spent an hour editing and revising and every week or so, we got together to revise our revisions, read aloud the letters and deconstruct at a deeper level what was actually going on in the letters. It kept me going when I was able to sustain any other kind of writing.

At the end of October I decided to do NaNoWriMo. I was jacked off with Distance Education, we’d reached THE END as far as I was concerned and I’d decided I was going to withdraw us at the end of the year and do autonomous home schooling. It was partly rebellion against everything Distance Education had sucked out of me, partly hearing Rus Vanwestervelt was doing NaNo that had me decide several days before the end of October to take the plunge and write my steampunk romance out as a novella length work.

I did what Jack Dann advises: give writing the best part of your day. So I wrote in the morning before life and school cluttered my head. I wrote with the aim of getting 2000-2500 words a day, to enable me to enjoy my 40th birthday party later on in the month. And I wrote with the intention of finishing the manuscript. Within the first week I knew it was not going to be a novella, as I suspected and kept writing. And I wrote and wrote and wrote and ended up on November 29th with a 79,000 word completed first draft manuscript of my first solo novel. This meant when the rejection letter came in December for ‘Between Minutes’ it fell with far less of a blow.

In December my head broke and poetry came out. I gave up on Distance Education, surrendered to home schooling and when I did the opportunity for Mr D to attend Brisbane Independent School came to us. It was Mr DIMG_6849’s decision to return to school and while we counted down to school starting across December and January, with twinkles of hope and possibility, I spent the festive season in lock, down-burn out wondering what the hell had happened (another loss of confidence despite having just completed my first novel). The upside was hours spent gazing into the glass water of the water hole at the bottom of the hill at my mother-in-laws.

But come the turn of the new calendar year, a new story came, and I’ve been writing poetry and tackling my birthpunk novella, now entitled “Encursion”. After five years, the writing was fun, and fast-paced and a bit mental! While I didn’t complete the novella as I had set out to do (albeit with a bit of a tight deadline) I’m in neck deep and I will continue until I type: THE END. And Piper’s Reach is finally there. Edited up and ready to send to Toni and Rus. Ready for us to take the next big leap of faith!

Write A List, Before You Beat Yourself Up

The Year of the Serpent wasn’t the year I expected, it wasn’t exactly the year I wanted, but it was a year that was productive despite all the challenges thrown my way. Despite having to give away my dream of a year of writing. I can say that now. Several months ago I was treating myself as an absolute failure.

The year’s work looks something like this (and I am a bit astounded when I actually look at it all):

  • 555 and Nothing New to Begin accepted at Tincture Magazine
  • Completed short stories: Twice Forgotten (4500), Between Minutes* (7800), First to Hundred* (4200) and At Arm’s Length (2200) *Submitted and rejected.
  • Completed first draft of gothic horror novel
  • Completed first draft of The Griefing Yard (with Stacey)
  • Worked on shorts Tag Hubert’s Requiem and The Indictment of Portia Simpson
  • Completed writing Post Marked: Piper’s Reach (87,000 all up)
  • Completed the editing of Post Marked: Piper’s Reach (92,000)
  • Pitched (unsuccessfully) Post Marked: Piper’s Reach to Hachette during GenreCon.
  • Submitted first page of Post Marked: Piper’s Reach to First Impressions with positive feed back
  • Delivered my first editing workshop for QWC
  • Did my first mentoring through QWC
  • Sat on panels at Conflux/NatCon
  • Chaired my first panel (GenreCon).
  • Completed 28 days of Post-It Note Poetry in February
  • Wrote poetry throughout January (2013) for Month of Poetry
  • Read my first poem in public for At The End, Poetry event
  • Participated actively in both my online writing groups, including beta reading on a regular basis.
  • Submitted my first poem to a journal.
  • Partnered with Nicole Murphy to publish In Fabula Divino (launched April 2012) and Prana Writer’s Group to publish The Gold Coast Anthology (for launch in May 2013)
  • Released through eP Tom and Mike’s book The Machine Who Was Also a Boy
  • Was offered several exciting editing and publishing opportunities (that I am, for now, sitting on patiently waiting for the right time!)

When I look at the list, it’s hardly a year of doing nothing, though it felt at times like nothing was happening; a consequence of working on longer pieces that will bear fruit further down the track?

Social Consolidation, In The Best Kind of Way

While it is easy to bemoan the Year of the Serpent as a really tough year, the year that almost broke me, I was blessed in so many other ways: I was surrounded by caring, compassionate and encouraging friends.

IMG_5261Thank you to The Furies: Stacey and Helen (sisters-in-words and so much more!), to Rob (the untangler of knotted narratives and ever-ready coffee partner/cheer squad/all round awesome person), Sean (the wish enabler), Adam (insert bestest before writing partner, friend and chooser of new music), Nicky (the bringer of wisdom and chicken soup), Angela ( fairy godmother in disguise), Kevin (unexpected hoarder of brilliant new friends and ideas), Lois (catalyst for awesome), Rus (Zen master of the mental reset and agent provocateur of the creative), Alex (party planner extraordinaire and generous giver of business wisdom), Tom (partner in beer, sanity disher and listener to obscure narrative ideas) and Emily (the girl voted most likely to inspire Mr D to shower, brush his teeth and leave the house!)

It was the kind of ‘social consolidation’ I wasn’t expecting but I am ever so grateful for.

Thank you also to Dave and Mr D who let me escape on weekends to regroup my sanity and chase words; who were caring, kind and considerate throughout all our travails, especially when I was at my worst.

There are many other people who assisted in small and large ways; if you are reading this, you are probably one of them. Thank you!

The Take Home Message

We rarely get what we want. Instead, the Universe sends us what we need. And I give thanks and gratitude for everything, small or large, brilliant or devastating that the Year of the Serpent wrought; I have changed, evolved and perhaps been rebirthed in some areas of my life, as is the manifesto of a Serpent Year.

Now to welcome in The Year of the Green Horse, with all it’s dashing derring-do.

2013: As It Was Read

IMG_3821Regular readers will know that I am a bit weird. I don’t run my writing year as per the Gregorian calendar, but instead by the Chinese calendar. For convenience sake, I’ve been using the standard year as my goal posts for reading (simply because it is easier and I am lazy!)

Despite the shit fight that was 2013, I managed to keep a comprehensive list of the books. I read 34 books (2 short of what I had been aiming for – with 3 books a month). November was pretty much a write-off for reading, as I poured 79,000 words out in four weeks for NaNo.

FAVOURITES

I’m picky with my books, so it’s often hard to pick a best of. This year, THE SHINING GIRLS by Lauren Beukes stood head and shoulders above everything else I read, both in storytelling and in writing. Filling out the rest of the top five in no particular order were:

THE WASP FACTORY Iain Banks
CLOUD ATLAS David Mitchell
WARM BODIES Isaac Marion
THE LAST BANQUET Jonathan Grimwood

Honourable mentions:

PERFECTIONS Kirstyn McDermott
PATH OF THE NIGHT Dirk Flintheart
NEUROMANCER William Gibson
WORLD WAR Z: AN ORAL HISTORY OF THE ZOMBIE WAR Max Brooks

Best anthologies:

YEARS BEST SCIENCE FICTION AND FANTASY V 5 ed. Bill Congreve
     – this came out before I was even writing again!
MIDNIGHT AND MOONSHINE Lisa L Hannett and Angela Slatter
NOT SO PERFECT Nik Perring

THE FULL LIST

Re-Reads (6)

THE GREAT GATSBY F. Scott Fitzgerald
THE RED TENT Anita Diamant
THE TIME TRAVELLER’S WIFE Audrey Niffenegger
THE BOOK THIEF Marcus Zusak
ROIL Trent Jamieson
WHEN WE HAVE WINGS Claire Corbett

Anthologies and Collections (8)

IN FABULA DIVINO Ed. Nicole Murphy
BLOODY PARCHMENT: HIDDEN THINGS, LOST THINGS AND OTHER STORIES ed Nerine Dorman
YEARS BEST SCIENCE FICTION AND FANTASY V 5 ed. Bill Congreve
THE TURNING Tim Winton (Re-read)
LIVING WITH THE DEAD Martin Livings
MIDNIGHT AND MOONSHINE Lisa L Hannett and Angela Slatter
NOT SO PERFECT Nik Perring
NEXT eds. Simon Petrie and Robert Porteous

New Reads (18)

CLOUD ATLAS David Mitchell
LETTERS FROM SKYE Jessica Brockmole (E)
AMERICAN GODS Neil Gaiman
REVOLUTIONARY ROAD Richard Yates
THE MACHINE WHO WAS ALSO A BOY Mike McRae & Tom Dullemond
BETWEEN TWO THORNS Emma Newman
WARM BODIES Isaac Marion
SCARE ME Richard Jay Parker
THE WASP FACTORY Iain Banks
AURORA: DARWIN Amanda Bridgeman
WORLD WAR Z: AN ORAL HISTORY OF THE ZOMBIE WAR Max Brooks (E)
PERFECTIONS Kirstyn McDermott
PATH OF THE NIGHT Dirk Flintheart (E)
PIG ISLAND Mo Hayder
THE LAST BANQUET Jonathan Grimwood (E)
NEUROMANCER William Gibson
RYDERS RIDGE Charlotte Nash
THE SHINING GIRLS Lauren Beukes

Novellas (2)

WE HAVE ALWAYS LIVED IN THE CASTLE Shirley Jackson
DARK RITE David Wood & Alan Baxter

Author Update #1

Happy Dark Moon. This is the first of what will hopefully be a semi-regular round up of my writing plus the writing and projects of those around me.

A MONTH OF POETRY

February was #postitenotepoetry month. I came out of the month with just under 40 poems—well ahead of the ‘dared’ 28. Unlike the “29 Days of Haiku” last year, I loved every minute of #postitnotepoetry. It became an unexpected and very welcomed outlet for a lot of difficult stuff I faced behind the scenes.

PODCAST

During the January heatwave, I sat down in my air-conditioned writing room to chat with Sean Wright for his Adventures of a Bookonaut podcast. I’ve done a few interviews (including on 4ZZZ) but this was the first time I’d been interviewed as a writer, and it was so much fun. The glowing feedback from Sean came at just the right time, as I sat poised on making the BIG decision to spend a year away from editing and publishing to write. It was also on Sean’s insistence that I sent ELYORA out into the big wide world.  Which brings me to…

ELYORA

My horror novella, published as part of Review of Australian Fiction’s Rabbit Hole special, is out in the wild. It has a brand new beginning, new title and hopefully a new home with the prospect of some financial return. Fingers crossed for good news in the next couple of weeks.

ONE SMALL STEP: AN ANTHOLOGY OF DISCOVERIES

Fablecroft’s next anthology ONE SMALL STEP: an anthology of discoveries is now available for pre-order. The all female anthology will launch at NatCon/Conflux next month. Looking at the ToC, I still pinch myself…that “Firefly Epilogue” sits alongside stories of some of my favourite authors.

FIRST TO A HUNDRED

A story idea for a piece of flash fiction, spawned by Adam’s commentary on cricket and tennis over summer, grew in one afternoon to a 5000 word story (in one sitting – making it the one easy story afforded a year – in the second week of my creative year!). “First to a Hundred” will be my entry in the Elizabeth Jolley Short Story Prize. In a quirk of narrative, the story steps aside from weird spec-fic I’m used to penning and is instead a YA coming-of-age story set on a Victorian beach in the late 1980’s. It’s the story that made all the important men in my life cry!

BIRTHPUNK

I have started on my set of six interlocking birthpunk novellas. I’m currently working on “Sylvie”—the original story that inspired the entire concept of birthpunk. With so many debates going on around the world about women’s corporeal rights (ie. Rights to choose what happens to their bodies) it would appear this is the year to be writing about a world where women’s corporeal rights have been stripped away. Where the Government controls all aspects of fertility and reproduction.

It is hard going at the moment, getting my head around the world building, with some extra distractions going on behind the scenes. The enormity of what I’m attempting weighs heavily on my confidence, despite the small, but dedicated cheer squad who keep telling me it’s awesome and I can do it. I’m hoping to have the first novella completed in the next fortnight.

POST MARKED: PIPER’S REACH

Adam and I have reached the point where we’re acknowledging the end is nigh. But if you think either of us has any idea how it ends, you’d be wrong. It’s not going to be in the next couple of letters, it might be even longer than a few more after that, but it’s definitely on the horizon.

I might not know how it’s going to end, but I do know what I had in mind for the ending this time last year, has been somewhat gutted by the unravelling of events in the last 12 months. There has been discussion that it will end where it started…with a letter from Ella-Louise. We’ll see.

Adam and I are planning to gift print copies of the Christmas Special as a chapbook, accompanied with Jude’s mix tape from 1991. We’re compiling a list of fans and supporters. If you have been a lurker, now would be the time to out yourself.

AROUND THE TRAPS

Joanne Anderton’s debut short story collection, THE BONE CHIME SONG is available for pre-order through FableCroft. I can’t wait to see what is between the pages and looking forward to getting a signed copy at NatCon.

Jessica Bell released her novella The Book in last January and followed up with a short story The Hum of Sin Against Skin last week.

Chris Chartrand unveiled Worth A Thousand Words podcast last month. It is wonderful mash up of photo prompts, writing, podcasting and interviews. I’m currently gestating a story for submission. I’d love to hear something I wrote be narrated by Chris.

Maria Kelly’s story “Parker’s Pygmallion”, a twist on Shaw’s concept, won the Phi Theta Kappa Florida Regional award for Best Short Story—Fiction.

Nicole Murphy released the yearly anthology from In Fabula-divino mentoring project yesterday. It contains a bunch of truly awesome stories, including S.G. Larner’s “Regret” (definitely one of my favourite stories of Stacey’s!)

Emma Newman’s BETWEEN TWO THORNS, the first in the Split Words Trilogy was released by Angry Robot in late February and my copy arrived on Friday. You can purchase at the following locations: UK Edition – US Edition. Em was also the featured author at SFX magazine’s Issue 233 with a corker photo that had Angry Robot’s Marc Gascoigne nominated Em as the next Doctor!

Dan Powell was joint winner of the Carve Esoteric Prize (2013) for “Storm in a Tea Cup” and his short story collection “Looking Out Of Broken Windows” is short listed for the International Scott Prize for Short Stories. You can read an interview with Dan here on the Salt Publishing website about the collection.

Sean Wright sat on the other side of the interviewing desk with Emma Raven of E-book Revolution talking about a bunch of things from attending local writing events to the best use of Twitter and and Goodreads.

Welcome, the Serpent!

serpentpendant

Ox starts a new lucky life cycle in 2013. Finally your hard work is rewarded. ~ Susan Levitt

I wrote a few weeks ago how it was hard to let go of the Year of the Dragon and here I find myself almost a month into the new year hanging back on the welcome. Well here goes, welcome year of the water serpent!

Like the dragon, the serpent is not demonised in eastern traditions. The serpent is a goddess, heroine and healer in the ancient myths of China. The year of the Serpent is a powerful year for rebirth and transformation in all areas of life. I’m an Ox and the Serpent Year comes with auspicious tidings, melding effortlessly with what is set for the Sagittarius, Aries and Virgo triad in my chart.

Consolidate

My theme for this year is: consolidate.

A quick flick through the dictionary turns up the following definitions:

  • to strengthen, solidify
  • bring together separate parts into a single unified form
  • to discard unused or unwanted items and organise the remaining

This year I’m setting aside business to concentrate on writing*. It’s time! The conversations I had in the lead up to the making this decision, and several things I’ve read since, all point to this being the right time (especially to bite the bullet and develop my idea for the sub-genre of birthpunk) to do so.

It’s the year to bring together all the skills, experience, lessons and connections I’ve made in the last five year and put them to work for me. Time to shed one skin and grow a new one.

Breaking Down Consolidation, The Year Ahead

Last year I just wanted to fall in love with writing. This year I want my writing to:

  • continue to push boundaries
  • reach a larger audience and,
  • begin to reap financial rewards for the creative investments.

It’s where the early blush of romance gives way to the practicalities of sharing your life with someone, for life! Where you take stock of your individuals lives and see what needs to be done to bring those two lives together in a permanent way.

With this in mind I’m focusing on these key projects/areas:

  • complete Post Marked: Piper’s Reach and do what is required to sub it to a publisher
  • repackage ELYORA for submission to a new publisher, as well as develop a feature-length script for it.
  • write the first draft of six interlocking #birthpunk novellas (aprox 180,000 words)
  • write at least one short story a month (with a view to overseas submission)
  • make one pro sale
  • strengthen and extend my network (including keeping in regular contact with my close writing colleagues)

In addition to writing I have con and festival panels in April (IronFest and NatCon), I’m presenting an editing and critiquing IQ seminar in May, am listed as a mentor with the QWC and have a podcast with Devin Watson in the works.

The Year of the Serpent is a slower paced year and I can already feel it. The list of things I’m setting out to do may seem huge, but in comparison to other years, it feels rather short! There is less pressure, I’m not working for others, I’m working for myself.

I’m shedding the skin that helped to nurture and develop many new writers and launch and grow a publishing house. This new writerly skin feels a tight, but I’ll suck in my stomach and not fling my arms around too much…until it feels and moves like a second skin.

What skin are you willing to shed this year, so a new one may grow?

* eP will go into moth balls for between six and twelve months to undergo it’s own metamorphosis. More on the eP website shortly about this