Ambrosia Published in Vine Leaves #10

vineleavesMy first ever poem’Ambrosia’ is published today in Issue 10 of Vine Leaves Literary Journal. I have to have a bit of a giggle, because it’s a love poem, but as far removed from the angst-ridden and terribly rhymed poems of my adolescent as possible.

The original imagery (of a woman in red stepping from a train onto a grey dismal platform) came in early December, not long after I’d finished writing my novel, my brain broke and poetry came out. While I had various lines of poetry, it took almost three months to bring it all together.

The line about the brulée I recited from Toowong to Wilston, down Coronation Drive, when it came to me en route from Stacey’s place to Lois’s in early February. As soon as I pulled into Lois’s I grabbed my phone and madly tapped the line into notes, so grateful I hadn’t lost it on the trip.

I share the ToC (and ironically, the same page!) with Adam – who also gets to claim the title of ‘published poet’ today. You’ll find us on page 23.

Vine Leaves is a free publication and can be read online with Scribd or can be downloaded as a PDF. Many thanks to the ever-wonderful Jessica Bell for taking a chance on the poem, and those in my writing group for their feed back (especially Stacey who went through it with her trademark brand of razor sharp editing).

Author Update #1

Happy Dark Moon. This is the first of what will hopefully be a semi-regular round up of my writing plus the writing and projects of those around me.

A MONTH OF POETRY

February was #postitenotepoetry month. I came out of the month with just under 40 poems—well ahead of the ‘dared’ 28. Unlike the “29 Days of Haiku” last year, I loved every minute of #postitnotepoetry. It became an unexpected and very welcomed outlet for a lot of difficult stuff I faced behind the scenes.

PODCAST

During the January heatwave, I sat down in my air-conditioned writing room to chat with Sean Wright for his Adventures of a Bookonaut podcast. I’ve done a few interviews (including on 4ZZZ) but this was the first time I’d been interviewed as a writer, and it was so much fun. The glowing feedback from Sean came at just the right time, as I sat poised on making the BIG decision to spend a year away from editing and publishing to write. It was also on Sean’s insistence that I sent ELYORA out into the big wide world.  Which brings me to…

ELYORA

My horror novella, published as part of Review of Australian Fiction’s Rabbit Hole special, is out in the wild. It has a brand new beginning, new title and hopefully a new home with the prospect of some financial return. Fingers crossed for good news in the next couple of weeks.

ONE SMALL STEP: AN ANTHOLOGY OF DISCOVERIES

Fablecroft’s next anthology ONE SMALL STEP: an anthology of discoveries is now available for pre-order. The all female anthology will launch at NatCon/Conflux next month. Looking at the ToC, I still pinch myself…that “Firefly Epilogue” sits alongside stories of some of my favourite authors.

FIRST TO A HUNDRED

A story idea for a piece of flash fiction, spawned by Adam’s commentary on cricket and tennis over summer, grew in one afternoon to a 5000 word story (in one sitting – making it the one easy story afforded a year – in the second week of my creative year!). “First to a Hundred” will be my entry in the Elizabeth Jolley Short Story Prize. In a quirk of narrative, the story steps aside from weird spec-fic I’m used to penning and is instead a YA coming-of-age story set on a Victorian beach in the late 1980’s. It’s the story that made all the important men in my life cry!

BIRTHPUNK

I have started on my set of six interlocking birthpunk novellas. I’m currently working on “Sylvie”—the original story that inspired the entire concept of birthpunk. With so many debates going on around the world about women’s corporeal rights (ie. Rights to choose what happens to their bodies) it would appear this is the year to be writing about a world where women’s corporeal rights have been stripped away. Where the Government controls all aspects of fertility and reproduction.

It is hard going at the moment, getting my head around the world building, with some extra distractions going on behind the scenes. The enormity of what I’m attempting weighs heavily on my confidence, despite the small, but dedicated cheer squad who keep telling me it’s awesome and I can do it. I’m hoping to have the first novella completed in the next fortnight.

POST MARKED: PIPER’S REACH

Adam and I have reached the point where we’re acknowledging the end is nigh. But if you think either of us has any idea how it ends, you’d be wrong. It’s not going to be in the next couple of letters, it might be even longer than a few more after that, but it’s definitely on the horizon.

I might not know how it’s going to end, but I do know what I had in mind for the ending this time last year, has been somewhat gutted by the unravelling of events in the last 12 months. There has been discussion that it will end where it started…with a letter from Ella-Louise. We’ll see.

Adam and I are planning to gift print copies of the Christmas Special as a chapbook, accompanied with Jude’s mix tape from 1991. We’re compiling a list of fans and supporters. If you have been a lurker, now would be the time to out yourself.

AROUND THE TRAPS

Joanne Anderton’s debut short story collection, THE BONE CHIME SONG is available for pre-order through FableCroft. I can’t wait to see what is between the pages and looking forward to getting a signed copy at NatCon.

Jessica Bell released her novella The Book in last January and followed up with a short story The Hum of Sin Against Skin last week.

Chris Chartrand unveiled Worth A Thousand Words podcast last month. It is wonderful mash up of photo prompts, writing, podcasting and interviews. I’m currently gestating a story for submission. I’d love to hear something I wrote be narrated by Chris.

Maria Kelly’s story “Parker’s Pygmallion”, a twist on Shaw’s concept, won the Phi Theta Kappa Florida Regional award for Best Short Story—Fiction.

Nicole Murphy released the yearly anthology from In Fabula-divino mentoring project yesterday. It contains a bunch of truly awesome stories, including S.G. Larner’s “Regret” (definitely one of my favourite stories of Stacey’s!)

Emma Newman’s BETWEEN TWO THORNS, the first in the Split Words Trilogy was released by Angry Robot in late February and my copy arrived on Friday. You can purchase at the following locations: UK Edition – US Edition. Em was also the featured author at SFX magazine’s Issue 233 with a corker photo that had Angry Robot’s Marc Gascoigne nominated Em as the next Doctor!

Dan Powell was joint winner of the Carve Esoteric Prize (2013) for “Storm in a Tea Cup” and his short story collection “Looking Out Of Broken Windows” is short listed for the International Scott Prize for Short Stories. You can read an interview with Dan here on the Salt Publishing website about the collection.

Sean Wright sat on the other side of the interviewing desk with Emma Raven of E-book Revolution talking about a bunch of things from attending local writing events to the best use of Twitter and and Goodreads.

A Year With Ella-Louise

…or how I found my way back to the light

When Ella-Louise slipped into the car on January 5th, I had no idea the wonderful creative adventures and opportunities writing her letters would birth, or the richness and depth she’d bring to my life. Much less the structure she and Jude would build, to enable Adam and I to work together across an entire year.

The momentum born of writing letters again, the enthusiasm to explore the world through Ella-Louise’s eyes and my interest in her backstory, spawned What I Left to Forget, the first short story I’d written in a long time. And like the proverbial rolling stone, I kept on rolling. I’ve been prolific: written poetry, a novella, short stories, vignettes, short film scripts and a box full of letters from Ella-Louise. I’ve taken risks and experimented and in doing so, seen more of my work enter the public realm.

You can read the whole guest post, talking about collaborative writing, depression, creative redemption and my relationship with Ella-Louise at Jessica Bell’s The Alliterative Allomorph.

Fabric by Jessica Bell

FabricToday I’m celebrating the release of Jessica Bell’s new poetry collection, Fabric. Yes, I said poetry… but don’t run away!

I’ve had the pleasure of working with Jessica (she has a powerful story “Muted” in the upcoming Tiny Dancer anthology and my vignette “Intersected” appeared in the second edition of Vine Leave) and immersing myself in String Bridge and it’s accompanying soundtrack. I’ve also come to know Jessica in the past nine months and  admire her not only as a multi-talented artist, but as a passionate woman who just makes you feel good about yourself.

It’s through knowing Jessica and admiring her work I’ve been brave enough to read and enjoy poetry again, and contemplate it as an alternate creative outlet to prose.

Since you haven’t closed the tab at the mention of POETRY, or my cheer squad blather about just how wonderful Jessica is, please take the time to read the little note by the author herself…

Jessica says:

My poetry will not baffle you with phrasing that scholars award for academic genius and that can only be understood by those who wrote it. My poetry is for the everyday reader. In fact, it is even for those who don’t like to read poetry at all. Because it is real, stark and simple.

The poems in Fabric are no different. They explore specific moments in different people’s lives that are significant to whom they have become, the choices they’ve made. It’s about how they perceive the world around them, and how each and every one of their thoughts and actions contributes to the fabric of society. Perhaps you will even learn something new about yourself.

So, even if you do not usually read poetry, I urge you to give this one a go. Not because I want sales (though, they are fun!), but because I want more people to understand that not all poetry is scary and complex. Not all poetry is going to take you back to high school English, and not all poetry is going make you feel “stupid”.

You can still say to people that you don’t read poetry … I really don’t mind. Because if you read Fabric, you’re not reading poetry, you’re reading about people. And that’s what reading is about, yes? Living the lives of others?

Please support the life of poetry today by spreading the news about Fabric. Hey, perhaps you might even like to purchase a copy for yourself? The e-book is only $1.99 and the paperback $5.50.

Here are the links:

Let’s keep poetry alive! Because not all poetry is “dead” boring … Jessica says so!

About Jessica Bell:

If Jessica Bell could choose only one creative mentor, she’d give the role to Euterpe, the Greek muse of music and lyrics. And not because she currently lives in Greece, either. The Australian-native author, poet and singer/songwriter/guitarist has her roots firmly planted in music, and admits inspiration often stems from lyrics she’s written.

She is the Co-Publishing Editor of Vine Leaves Literary Journal, and co-hosts the Homeric Writers’ Retreat & Workshop on the Greek Isle of Ithaca, with Chuck Sambuchino of Writer’s Digest.

For more information about Jessica Bell, please visit:

Website: