Repurposed from an old front cover of WQ and pulled from the Elyora fragments bag, the weird-gothic tone is reflective of a dark and surreal week.
Tag Archives: Queensland Writers Centre
Welcome to Elyora
To celebrate today’s launch of Elyora I’ve compiled a list of facts about the novella, the writing it and other associated tidbits.
#1 Elyora began as a dream featuring a misshapen house, a woman and sirens in the river.
#2 Elyora was the name of the woman in my dream, not the town. It’s pronounced el-yor-ah.
#3 The first draft of Elyora was written during a June 2012 Rabbit Hole event run by the Queensland Writers Centre – 30,000 words in 30 hours.
#4 The original sex scene was written as a word count filler and was intended to be edited out of the final draft. The ending precluded that from happening.
#5 Elyora was edited by Lesley Halm (for Review of Australian Fiction) and if it weren’t for her commitment to the story she saw in the rough, it might never have been finished, much less published.
#6 Elyora was short listed in the Aurealias short horror category in 2012 – two days after the contract was signed to sell it as River of Bones to Endeavour Press.
#7 The a cappella scene was intended to have Suzanne Vega’s Tom’s Diner at the centre of it but words failed to bring it to life at the time. The new edition features Vega’s classic.
#8 The 2nd draft was almost complete before I knew what the menace in the river was. It was an accidental find after months of dedicated searching.
#9 Knowing what was in the river, and its folk history, added a new layer to the story, a new iteration of claustrophobia and fleshed out the backstory of Eleanor and Ethan Lazarus.
#10 Brigadoon, the town that appears for one day every hundred years, was one of the inspirations for Elyora, though my partner, insisted it sounded more like the town in Peter Weir’s The Cars That Ate Paris.
#10 Elyora is not based on the township of Ben Lomond. Ben Lomond has 3 churches and is on the wrong side of the road.
#11 FaunaBate almost hailed from Sydney. The Hume Highway between Melbourne and City was the intended setting. But a road trip in 2011 discounted it.
#12 It was only after Elyora was published that I visited Hal and Jo’s hometowns of Woolomin and Nundle. GoogleEarth was my friend prior to that.
#13 Sometimes it’s okay to read reviews! The new edition has small alternations to the flora and fauna based on Chris-from-Ben-Lomond’s Goodread’s review.
#14 Elyora was my first attempt at horror and I wanted to write something that would scare me stupid. My son managed to accidentally jump-scare me during a late editing session of the final garage scene.
#15 The hardest scene to write was the conversation between Ethan and Stanley. Nailing Stanley’s vernacular and articulation pushed my skills to their limits.
#16 In addition to the dream, two strong visuals components were musts for incorporation: the cars in the back of the garage and the tow hook on the old dodge truck.
#17 One reviewer said she would never again take a bath after reading Elyora. #sorrynotsorry
#18 Petrol actually was 13c/l in 1974. It was one of the facts I collected as part of my research. I also read the original research paper from the FBI Body Farm.
#19 Searching >Elyora< on Spotify will bring up the play list of songs mentioned in the novella. There’s 16 of them.
#20 The number of plays logged for Yacht Club DJ’s ‘The mostly come at night, mostly’ hour-long mixtape – 82. It was on almost perpetual loop during Elyora’s writing and editing.
#21 Lesley’s original editorial stated that Elyora could be the lovechild of Gaiman and King, consequently, when it was first released, I told no one it had been published.
#22 River of Bones languished in relative obscurity until an Australia Day promo pushed it to #1 on the Amazon (Aus) horror charts and into the general Top 20.
#23 Most of the quirky details, from dashboard adornments to tattoos, were based on suggestions from The Elyora Brains Trust on Facebook during the 2nd draft.
#24 The third edition of Elyora (the 2nd by its intended name) is the only paperback edition. Only one was intended to be printed (as a reference for writing a script) but the idea of a worldwide paperback release refused to be ignore.
When Jo, Hal and Benny arrive in Elyora the absence of takeaway coffee is the least of their problems. At each other’s throats and without transportation, phone service or somewhere to stay, they accept the hospitality of the enigmatic Lazarus at the original Elyora homestead.
As day turns to night, the sanctuary of the rambling house becomes a terrifying alternate reality of memories peeling back onto themselves to expose secrets and paranoia dating back to 1942.
To escape Elyora and return to 2012, Jo must remember who she is and find Benny and Hal before they succumb to the same fate as those who came before them.
Haven’t got a copy of Elyora yet – no stress. Just click here.
Want to add it to Goodreads. Easy! Just click here.
Coming on 20th February – a Goodreads giveaway. More closer to the date.
At The End, Poetry and Other Adventures in Public Reading
Tomorrow evening I’m doing my first public poetry reading as part of Tom Dullemond’s “At The End, Poetry” at West End’s The End Bar.
I’m reading Papier Mâché the first poem I wrote in December last year. It is a poem of creativity and longing and letting go the things that no longer serve you. Kind of timely in some ways.
The reading kicks off at 6pm. The theme cocktail of the night draws its name from Stacey’s Memories of Wonderland.
And in other reading news, I’ll be reading on the 8th February as part of the QWC’s first Whispers salon. The theme is ‘false starts’ and I’m looking forward to unveiling a little of my birthpunk world from Encursion.