My NaNo stats tell me that at this rate I will finish in five days time. On Saturday I will have reached my goal. If only my goal was just 50K.
I joked that I like days like today. Days where writing does not feel like opening a vein that refuses to bleed. Conversation always drives my stories and when you put seven people in a room together, there is going to be plenty to say, thank you very much.
Plus the last 24 hours has had a few good reveals. I know who Marie is now. The boys in the band with Becca revealed themselves in brothers (The Brothers Hammond) and I finally worked out the narrative link that gets Christian down into the basement with Ramsey.
What has been most interesting has been revisiting the midpoint. As the word count midpoint came closer (and I relented and wrote down everything that needed to occur between where I was at and where the midpoint would be) I realised that perhaps I’d got the midpoint wrong. After all it is the pivot. It turns every 180 degrees.
The midpoint is not Tabitha going into the sculptor’s chamber. Something has already happened to make Tabitha rethink going to the sculptor. By that point Christian’s behaviour has taken a weird trajectory away from her and that is the impetus for her to go to the sculptor.
So I now think the midpoint belongs to the scene where Christian goes down into the basement with Ramsey and is lured into service, in what appears at first to be a little innocent tinkering, but becomes Christian’s obsession as he is able to extrapolate the potential the opportunity presents in the long term.
Which brings me to today’s extract. How about some characters we haven’t seen too much of yet?
In Act One Gordo arrives at the Orientation Evening in a 70’s shirt and pinstriped pants. His brother Ham in a tweed jacket and too-tight jeans. Gordo is the younger brother, plays guitar, does the electronic loop, sings a bit. Ham is a 3rd year medical student and plays the drums. And he’s another lurking character with an interesting back story and arc.
* * *
“Is she always such a loud pain in the arse?” Christian said to Gordo.
“She does the whole bad girl, righteous anger thing well. Underneath it all, she’s not so bad. You know Chrissy Amphlett, the whole school-girl get up. The bitch thing is Becca’s costume.”
“It worked great until we come out of it on the wrong side of the street press,” Ham butted in.
“That was once,” Gordo defended.
“And the whole Jayden as Voldemort thing.”
“Let the Jayden thing go, okay. He left because he wanted to.”
“He left because of Becca.”
“You know about the Rolling Stones, yeah?” Christian said slicing into the middle of the brothers’ argument.
“Everyone knows about the Stones.”
“But about the Stones, about being bad boys.” Gordo and Ham looked liked they’d been cut free from the moorings of the conversation. “There couldn’t be another Beatles, right, so management created the Rolling Stones’s image as the anti-Beatles,” Christian explained.
“But over time they became the bad boys of rock and roll; a self-fulfilling prophecy. And they copped it badly. Where the Beatles waltzed from country to country, gig to gig, and were generally the darlings of the press, the Rolling Stones had gigs turn into riots and shut down, they were hounded and misrepresented by the press, harassed coming through customs and that was before Keith and all the shit with drugs. Then there was Ultimo. You want to be careful what you are creating today. It might not be who you want to be tomorrow.”